This work was originally mixed for a 14-channel speaker installation developed by John Henry Blatter. The following tracks were debuted at ARTISPHERE as part of FERMATA's final set list: CODA (organized and funded by Transformer in DC).
[…] “Her work for Coda is a beautiful mess in three parts. Falling in and out of rhythm and harmony, she combines pleasant melodies with painfully distorted samples. These three pieces source a decade’s worth of rough recordings mixed with sounds collected and arranged specifically for John Henry Blatter‘s speaker wall. Audio sources include a make-shift instrument crashing around in a minivan, radio dialog, a field recording from an ER observation area, manipulated music boxes, bell sets, a toy piano, the bellows of a 19th century melodeon, a clock in a cooking pot, and water bursting from a wooden structure.”
|Image: ARTISPHERE via Washington Post|